Celes impersonating Maria.

FFVI Draco

The Opera Maria and Draco (マリアとドラクゥ, Maria to Dorakū?) is an event in Final Fantasy VI and the collective name of a set of four tracks, written by Nobuo Uematsu and Yoshinori Kitase, featured in the original soundtrack, later released as a single track in multiple album compilations. It is sometimes referred to as The Dream Oath, though this title is never used in the game or in any of the compilations.

The four tracks that play during the sequence are "Opening," "Aria di Mezzo Carattere," "The Wedding," and "Grand Finale?".

In the original Japanese version the music is closely aligned with the lyrics, although because of technical limitations the "voices" are created on the SPC700 sound format.

The "Aria di Mezzo Carattere," one of the Final Fantasy series' most famous musical themes, is performed within the opera.

The development team had an idea to include an opera scene and Yoshinori Kitase wrote lyrics for it, while Uematsu composed the music. Translator Ted Woolsey found the opera scene unique and interesting and thus spent plenty of time on that scene; the scene had multiple files that combined to provide the experience: battle texts, the opera text displayed during the different cinematics, and the usual screen text all had to work in concert.[1]

Gameplay Edit

FFVI Celes Sings Opera iOS

The opera.

To establish contact with Setzer, the owner of the only functional airship in the World of Balance—the BlackjackCeles impersonates the opera singer Maria, with whom Setzer is in love. Although Celes successfully poses as Maria for the majority of the opera, Locke discovers during the performance that Ultros is planning on dropping a weight on Celes from the rafters.

The attempt to stop him ends with Locke, his allies and Ultros plummeting to the stage, knocking the actors playing Ralse and Draco unconscious. Locke thus attempts (and somewhat succeeds) to improvise this into the opera, and after battling Ultros, Setzer kidnaps Celes as per the original plan.

FFVI Celes Opera Flowers

Celes throws the flower bouquet off the terrace.

The opera also features a small game element. Three times during the opera the player has to pick the correct line for Celes to sing. Failing to do so will stop the opera, and the player must do a new attempt; it is easy to guess which line is the correct one, however. Although if one "overthinks" the line to be chosen, the game will automatically select the highlighted line after a couple of seconds. The lines to be chosen are the first, then the second, and then the first one again. Then Draco appears on the scene and turns into a flower bouquet. The player has to pick it up and walk upstairs to throw the bouquet off the terrace to finish the mini-game. Doing it too slow will also get the party kicked out of the Opera House. Failing the opera four times in total will be resulted as a game over. Story-wise, the actions are intended to be performed so that the events of the opera are performed in time with the music, thus performing the actions too quickly would throw off the musical cue. Throughout portions of the opera sequence, the player is not permitted to advance dialogue.

Story Edit

The Dream Oath

Artwork by Yoshitaka Amano.

The armies of the East are battling the forces of the west. The hero of the western army is Draco, who is in love with the western princess, Maria. When the west loses the war and Draco is presumed lost, Maria is forced to marry the eastern Prince, Ralse.

During a ball, the survivors of the west, led by Draco, launch a surprise attack. A duel ensues between Draco and Ralse, in which the latter is defeated and Maria and Draco go on to live happily ever after.

Lyrics Edit

The opera has been arranged and performed live in its entirety numerous times, both in English and Japanese. Its lyrical content has varied accordingly, although it is possible to determine five different versions of it:

The Black Mages III: Darkness and Starlight Edit

"Darkness and Starlight" is a rock arrangement of Maria and Draco included in the Black Mages' third studio album The Black Mages III: Darkness and Starlight. Because the opera scene in the game ends abruptly with Celes's kidnapping just before Draco and Ralse's duel, the rest of the lyrical content was unknown until this release. The album features the complete opera scene in a rock rearrangement which, while slightly deviating from the original version, was made to be as faithful to the original opera as it may.

The recording for the Black Mages' third studio album had already started when the idea of adding Maria and Draco came to Uematsu, and he decided to add it because he wanted to try something new with the album. He has stated that nothing had really changed from when he was composing Final Fantasy VI; he always wants the challenge of something new.[2]

Personnel in Darkness and Starlight Edit

Darkness and Starlight full

Darkness and Starlight cover featured an artwork piece of, presumably, Draco and Maria.

Final Fantasy VI: Balance and Ruin Edit

The Opera spans three tracks in the OverClocked ReMix album: "The Nightmare Oath", an original track that borrows many motifs from "Overture"; "The Impresario", a reinterpretation of the Opera itself; and "Till We Meet Again", a reinterpretation of "Aria di Mezzo Carattere". All three tracks feature original lyrics that tell a different story from the original sequence of events as told in the game.

A fourth track, "Jidoorian Rhapsody", is remixed from "The Wedding", but is non-lyrical.

"The Nightmare Oath" Edit

The lyrics of "The Nightmare Oath" follow a dialogue between Draco and Ralse that mirror their exchange during the original sequence's overture. The title refers to the Opera's apocryphal title The Dream Oath.

The Impresario Edit

The lyrics of "The Impresario" tell a wholly different story from that of all other arrangements of Maria and Draco. The story is told in the form of a flashback, as Draco recollects how he arranged eloping with Maria but was caught when they attempted it; Maria is slain in the ensuing fight between Draco and the members of her family, and it is implied that she was accidentally killed by Draco himself and that, upon realizing this, he plans on committing suicide to join her in the afterlife.

Till We Meet Again Edit

"Till We Meet Again" is a reinterpretation of "Aria di Mezzo Carattere", featuring original lyrics that bear no relation to the plot of the opera.

Merchandise Edit


When Final Fantasy VI was first released key chains depicting the game's cast were available in Japanese vending machines. A Celes as Maria from the opera is one such key chain that was sold.

The Final Fantasy Cold Cast Collection is a limited edition collectible series featuring cold cast statues that display notable scenes from Final Fantasy series. Only 3,000 Celes and opera house cold casts were made, each coming with a card and card stand that had the statue's limited number and description. The series has been out of production since 1999.

Other appearances Edit

Final Fantasy Airborne Brigade Edit


FFAB Holy - Celes Legend UR+

Celes can appear in her opera singer's dress.

Final Fantasy Record Keeper Edit


FFRK Opera Celes
FFRK Prima Donna Event

Prima Donna event banner

Celes' performance of "Maria and Draco" was the focal point for the Challenge Event Prima Donna, where her Opera Star Wardrobe Record could be obtained. This alternate costume pays homage to the performance.

Even if she is not wearing the dress, her Maria's Song Burst Soul Break will depict her in the dress, singing her aria and throwing a bouquet in full moonlight as is done in the opera.

Triple Triad Edit

144a The Opéra

The throwing of the bouquet opera scene appears on a Triple Triad card in the version available via the Final Fantasy Portal App.

Etymology Edit

Maria is a female given name in many diverse cultures. It became popular with the spread of Christianity as a Latinized form of the Hebrew name of Jesus' mother Mary (Miriam in Hebrew). The meaning of the name is uncertain, but it may originally be an Egyptian name, probably derived from "mry" (beloved) or "mr" (love) ("eminent lady" or "beloved lady"), although it was used in Europe even before the establishment of Christianity as a female form of the Roman name Marius.

In Latin, maria can be roughly translated as "from the sea".

Draco is Latin for "dragon".

References Edit